Giriş bölümünde de belirttiğim gibi, sitede bana ait olmayan görüş ya da bilgilerin kaynaklarını kabaca belirttim, akademik bir çalışmanın gerektireceği titizlikle yapmadım. Aşağıdaki kaynakçaya benim öncelikle başvurduğum kaynakların bir listesi olarak bakılması daha yerinde olur. Sitenin genel düşünsel planlamasında John Fiske’in Introduction to Communication Studies (İletişim Çalışmalarına Giriş) kitabından yararlandığımı belirtmem gerekir.

Bakhtin, Mikhail (1984), Rabelais and His World, trnsl. Helene Iswolsky, Bloomington: Indiana University Press. Türkçesi: Rabelais ve Dünyası (2009), Ayrıntı Yayınları.

Barthes, Roland (1978), Image-Music-Text, trnsl. Stephen Heath, New York: Hill and Wang.

Barthes, Roland (1977), Mythologies, trnsl. Annette Lavers, New York: Hill and Wang. Türkçesi: Çağdaş Söylenler (2014), Çev. Tahsin Yücel, İstanbul: Metis Yayıncılık.

Becker, Howard S. (2008), Art Worlds, Berkeley, Los Angeles: University of California Press. Türkçesi: Sanat Dünyaları (2013), Ayrıntı Yayınları.

Benjamin, Walter (1969), Illuminations, trnsl. Harry Zohn, New York: Schocken Books.

Bennett, Susan (1997), Theatre Audiences: A Theory of Production and Reception, London and New York: Routledge.

Berger, John (1972), Ways of Seeing, London: BBC and Penguin Books. Türkçesi: Görme Biçimleri (2016), Metis Yayıncılık.

Bogatyrev, Petr (1986) Semiotics in the Folk Theater. In L. Matejka and I. R. Titunik (Eds.), Semiotics of Art (pp. 33-50), Cambridge, Mass.: The MIT Press.

Carlson, Marvin (2004), Performance: A Critical Introduction, London and New York: Routledge (2nd Edition). Türkçesi: Performans: Eleştirel Bir Giriş (2014), Dost Kitabevi.

Cassell, Justine (1998) “A Framework for Gesture Generation and Interpretation,” in (Cipolla, R. and Pentland, A. (eds.), Computer Vision in Human-Machine Interaction, 191-215, New York: Cambridge University Press, 1998. (http://www.justinecassell.com/publications/gesture_wkshop.pdf)

Chandler, Daniel (2002), Semiotics: the Basics, London: Routledge.

Cherry, Colin (1968), On Human Communication: A Review, A Survey, and a Criticism, Cambridge, Mass.: The MIT Press.

Cohen, Selma Jeanne, ed. (1974) Dance as a Theatre Art: Source Readings in Dance History from 1581 to the Present, New York: Harper and Row.

Copeland, Roger and Marshall Cohen, eds. (1983), What Is Dance?, New York: Oxford University Press.

Culler, Jonathan (1976), Saussure, Glaskow, UK: Fontana/Collins.

Darwin, Charles (1871), The Descent of Man, London: John Murray. (http://darwin-online.org.uk)

Eco, Umberto (1979) A Theory of Semiotics, Bloomington: Indiana University Press.

Ekman, Paul and W. Friesen (1969), “The Repertoire of Nonverbal Behavior: Categories, Origins, Usage and Coding” in Semiotica, 1, 49-98. (https://www.paulekman.com/wp-content/uploads/2013/07/The-Repertoire-Of-Nonverbal-Behavior-Categories-Origins-.pdf)

Elam, Keir (1980), The Semiotics of Theatre and Drama, London and New York: Methuen.

Erkman-Akerson, Fatma (2005), Göstergebilime Giriş, İstanbul: Multilingual.

Fırıncıoğlu, Semih (2011), John Cage: Seçme Yazılar, İstanbul: Pan Yayıncılık.

Fish, Stanley (1980), Is There a Text in This Class?, Cambridge, MA: Harvard University Press.

Fiske, John (1993), Introduction to Communication Studies, London and New York: Routledge (2nd Edition). Türkçesi: İletişim Çalışmalarına Giriş (2014), Pharmakon Kitap.

Goffman, Erving (1959), The Presentation of Self in Everyday Life, New York: Anchor Books. Türkçesi: Günlük Yaşamda Benliğin Sunumu (2014), Metis Yayıncılık.

Goffman, Erving (1974), Frame analysis: An essay on the organization of experience, London: Harper and Row.

Gombrich, E. H. (1982), The Image and the Eye: Further Studies in the Psychology of Pictorial Representation, New York: Cornell University Press. Türkçesi: Sanat ve Yanılsama (2015), Remzi Kitabevi.

Hawkes, Terence (1977), Structuralism and Semiotics, Berkeley, CA: University of California Press.

Huron, David (2007), Sweet Anticipation: Music and the Psychology of Expectation, Cambridge, Mass.: The MIT Press.

Jakobson, Roman (1981), Six Lectures on Sound and Meaning, trnls. John Mepham, Cembridge, Mass.: The MIT Press.

Jakobson, Roman and Linda R. Waugh (1979), The Sound Shape of Language, Bloomington, IN: Indiana University Press.

Kantor, Tadeusz (1993) A Journey Through Other Spaces: Essays and Manifestos, 1944-1990, Berkeley, Los Angeles: University of California Press.

Kendon, Adam (2005), Gesture: Visible Action as Utterance, Cambridge, UK: Cambridge University Press.

König, Thomas (2007) Frame Analysis: Theoretical Preliminaries (URL = http://www.restore.ac.uk/lboro/resources/links/frames_primer.php

Levitin, Daniel J. (2007), This is Your Brain on Music: The Science of a Human Obsession, New York: Plume (Penguin). Türkçesi: Müziğin Etkisindeki Beyin: Bir Saplantının Bilimsel İncelemesi (2015), Pegasus.

McTaggart, John Ellis (1908), “The Unreality of Time,” in Mind: A Quarterly Review of Psychology and Philosophy 17: 456-473. URL = http://www.ditext.com/mctaggart/time

Meyer, Leonard B. (1956), Emotion and Meaning in Music, Chicago and London: The University of Chicago Press.

Meyer, Leonard B. (1994), Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture, Chicago and London: The University of Chicago Press.

Pavis, Patrice (1982), Languages of the Stage: Essays in the Semiology of Theatre, New York: Performing Arts Journal Publications.

Ratey, John J. (2002), A User’s Guide to the Brain: Perception, Attention and the Four Theaters of the Brain, New York: Vintage Books.

Rynasiewicz, Robert, “Newton’s Views on Space, Time, and Motion”, The Stanford Encyclopedia of Philosophy (Summer 2014 Edition), Edward N. Zalta (ed.), URL = https://plato.stanford.edu/archives/sum2014/entries/newton-stm

Schechner, Richard (2003), Performance Studies: An Introduction, New York: Routledge.

Thompson, William Forde (2009), Music, Thought, and Feeling: Understanding the Psychology of Music, New York: Oxford University Press.

Van Camp, Julie Charlotte (1981), Philosophical Problems of Dance Criticism
https://books.google.com/books/about/Philosophical_Problems_of_Dance_Criticis.html?id=pQBwuQAACAAJ

Watzlawick, Paul, Janet Beavin Bavelas, Don D. Jackson (1967), Pragmatics of Human Communication: A Study of Interactional Patterns, Pathologies, and Paradoxes, New York: W. W. Norton and Co.

Wilden, Anthony (1987), The Rules Are No Game: The Strategy of Communication, London and New York: Routledge and Kegan Paul.